The composition process is ongoing as it develops and morphs with each performance. In live performances, members are expected to improvise their parts. It relies on members of the ensemble to participate in the composition process by writing their own parts within appropriate stylistic parameters to enhance the overall sound. Group Approach to Composition The music features a group approach to both composition and improvisation.What it must be is a unique, stylized, personal musical statement which is recognizable as such. The improvisation might be virtuosic and/or complex, or it might not be it might be. This includes improvised solos from individual members of the group, which has been a feature of jazz from the very beginning. Improvisation The music must prominently feature improvisation.For jazz, there are four main elements that I think are necessary: Criteria In order to determine if stylistic integrity is intact, we first need to identify the salient features of jazz and rock, the elements of each that must, generally, be present. What is required to maintain the integrity of each style? That is where I would like to begin, because I think the answer to that question reveals why real fusion is so elusive and so rare. Part 1 | Part 2 | Part 3 Part 2: Steely Dan's Aja I ended the first part of this series with the question that prompted these articles: "Why is there so little music that genuinely fuses two styles together and does so in a way that maintains the integrity of the stylistic contributors?" I could have phrased in differently by asking a closely related question: "Why is there so little fusion music that is accepted as authentic by the fans of both styles?" The answer, clearly, is that it is really difficult to maintain the integrity of both styles because compromises must be made to accommodate each, and in those compromises, the integrity of one or both is usually lost the fans, therefore, abandon the artist's new undertaking.
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